Short Splash Comment: Autonomy of (digital) cameras have never been so good!

No contest about memory cards that have already a fabulous
picture (file) capacity compare to traditional films.

Very often people tend to refer on recent past history in photography. For example in pretending that older (film) cameras were having more or autonomy than their modern digital personifications. While it is true to say that the in-board  exposure cell battery of these cameras was able to last a very long time (more than one year in many cases), are we comparing the right think?

Because autonomy in my book is referring to the ability of taking pictures on a continuous flux without any interruption (like a camera reset of any kind). In the case of the digital cameras this occurence will apply mainly when you are substitute an exhausted battery for a freshly charged new one. Rarely it apply in this modern age for a replacement of a fully loaded memory card by an empty one since their capacity have increased dramatically in the past decade.

Manufacturer proclaims more than 300 exposures with this unit but when adding
 the optional vertical power grip you will simply double that number…

Digital cameras (including mirrorless) will give you a typical autonomy of 250 exposures or more per battery pack charge. At that point you can substitute the battery pack by a newer in less than one minute. And the battery pack is reusable once it get a full charge … which is not the case of a used film! Speaking economic a 36 exposures film including basic processing will cost you something like $10-12 assuming that you will thereafter scan the film to further process your image for print or to share the result (because traditional and chemical printing is costly and far less flexible). Per comparaison the cost of a new battery pack is about 7 or 8 times the selling price of a film and again it is reusable several, several times!

Loading a 135 film? Just follow these simple steps!

Just make sure the film tip is fully engage but not too much!

Wind the camera until Number 1 position…






(All pictures from Nikon FM Manual)

And dont forget to ajust your ASA (ISO)!

Nikon F3 HP / MD4: 
A faithful combination of the golden era of the SLRs
(Picture from web source)

Now a last question for all the happy triggers of this world: What is the autonomy of a 36 exposures film in term of working time? Lets say you are using a Nikon F3 HP equipped with its MD4 motor drive (with the very useful electric rewing option) and your shooting rate is 5 frames per second. Your film cartridge will last around 7 seconds of recording time not much more. So very short burst are recommended if you dont want to change fil too often. And not instant review of your pictures is possible with film cameras.
With a digital camera it will depend essentially of the memory card capacity or the camera memory buffer capacity or the battery autonomy. But you can be sure it will surpass largely the traditional film camera abilities.

In short digital cameras are better photographic devices with added autonomy and more accurate and oriented results. So next time take a little longer to apprehend and do your picture and … bring an extra battery pack, That way you will face all the odds!

1989: Nikon F3 HP good times with 36 
exposures per film cartridge autonomy…
Refill those pockets!
2017: Olympus OM-D E-M5 II with 600 
exposures (accentuations) autonomy!
Scotty, Beam me up!

And as a bonus feature: How to load a film into the Nikon F3 HP (Extracted from Nikon F3 Manual). That was part of the entry exam to be qualified as a true photojournalist!

 

 

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Film "Odd"-ity

Going back to film is trendy but not particularly practical or futurist!
(Second Personal Splash of 2017!)

Antique Editing Table

Yes we have seen recently a new trendy attitude toward digital photographers proclaiming the return of the traditional film picture support as a growing alternative tool for the future of the medium. As an ex-emerging photo youngster from the film era I am fascinated by the “discovery” of those who want to experiment the ancient ways of creating picture expressions. And I fully respect them for creating their original photo projects on that technical base.

Exploring any expression medium can be a very exciting experience whatever if it is an ancient formulation or a contemporary technique. So we cannot discuss the real pertinence to use it or not. It is up to anybody to choose the medium and use it as he wish. No discussion there for sure especially considering the artistic point of view of it. Visual representation is an universal art with many avenues and meaning.

Good Old Artefacts of the Film Era

Photography is part of our modern surrounding by proposing the temporal extension and interpretation of the instant reality. The technical of doing photography have expanded for more than two hundred years.

Now you have to consider the digital revolution that have transformed the production and the diffusion the photographic medium. It is cheap, accessible, easily editable and  more easily shareable.
All these advantages contribute to push photography into new frontiers never imaginable even 25 years ago. Like it or not it transgress every attempt to control its flux to specific audiences. It like music. It is everywhere, every time for everybody with less and less limitations.

This is why the digital revolution of photography is so important. Yes I respect without discrimination every form of art expression and techniques used to do so. But you cannot really pretend that there is a return of evolution to the film era, an era that I have been issued both personal and professionally I must add.

Primitive Color Calibration by Eye Appreciation

Digital is becomed a superior technical way of doing photography at lesser price in term of ressources and processing time. The traditional film have strong limitations that can be properly use as selective options if you intend to do so. But it is still a difficult ways of doing photography and it will ask you a strong effort to apprehend the technique. The learning curve of traditional film photography is intense and often discouraging.

You have to be honest and admit that digital photography is now part of the future evolution of the medium.

Rolls of Pain and Pleasure!