Uncategorized – Page 7 – danielm.photo.blog

Category: Uncategorized

472 Posts

Rétro sur le Lumix GX9: le “Pen-F” de Panasonic!

Rétro sur le Lumix GX9: le “Pen-F” de Panasonic!

14 May 2024 — 2 Comments

C’est la faute à …

C’est la faute à …

30 April 2024 — 0 Comments

Retour à la m(r)aison: le Panasonic Lumix G95(D)

Retour à la m(r)aison: le Panasonic Lumix G95(D)

16 April 2024 — 2 Comments

Imprévisible

Imprévisible

1 April 2024 — 1 Comment

Le Mémorial ACTe à Pointe-à-Pitre, Guadeloupe

Le Mémorial ACTe à Pointe-à-Pitre, Guadeloupe

26 March 2024 — 0 Comments

Une sortie en mer et voilà!

Une sortie en mer et voilà!

24 March 2024 — 2 Comments

Ballade à Pointe-à-Pitre, Guadeloupe

Ballade à Pointe-à-Pitre, Guadeloupe

23 March 2024 — 0 Comments

Clins d’Oeil nocturnes (Saint-François, Guadeloupe)

Clins d’Oeil nocturnes (Saint-François, Guadeloupe)

22 March 2024 — 0 Comments

Photographier la réalité de chacun …

Photographier la réalité de chacun …

15 March 2024 — 0 Comments

Le Moule* en orange et black (*Guadeloupe)

Le Moule* en orange et black (*Guadeloupe)

12 March 2024 — 0 Comments

Guadeloupe, fille maritime des Antilles

Guadeloupe, fille maritime des Antilles

11 March 2024 — 0 Comments

Vol-A-Tils en Gwadloup au quai 17

Vol-A-Tils en Gwadloup au quai 17

9 March 2024 — 2 Comments

03 en Guadeloupe

03 en Guadeloupe

5 March 2024 — 1 Comment

Introspection matérialiste

Introspection matérialiste

20 February 2024 — 0 Comments

Le Leica DG Vario-Elmarit 12-35mm F2.8 ASPH. (Power OIS): le basique Panasonic pro en format M4/3

Le Leica DG Vario-Elmarit 12-35mm F2.8 ASPH. (Power OIS): le basique Panasonic pro en format M4/3

18 February 2024 — 1 Comment

Pourquoi ce blog-photo personnel si ce n’est que pour partager une passion profonde pour ce médium comme un instrument d’expression visuelle aussi intuitif qu’exigeant. Il y a un Art photographique, c’est vrai, mais il y a encore plus une urgence de montrer ne fut-ce qu’à soi-même son interprétation d’un monde en mouvance perpétuelle.

Et il y a aussi ce désir de s’imprégner de moments choisis du passé en devenir. ET au-delà de l’image reproduite et affichée, il y a enfin cette curiosité liée à la technique choisie et aux outils utilisés pour ce faire. Sans prétention ce blog est une invitation au partage d’idées et de réflexions sur la planète Photo.

1 mai 2020

Life is a world of differences, tastes, contexts and situations. And all these elements color our interpretation of our surrounding, our fellow people, subjects or objects. What is interesting in mind perception is to be able to diversify it by confronting a large spectrum of points of view. This is why I fully respect and explore the work of many reviewers over the web that can be perceived as part of the modern narrators of our era.

Today the speed of evolution has accelerated at a rate never seen before and we are now living in the instant past-present-future moment. We have adopted a planetary vision of our world and everybody is addressing everybody. And photography as a medium and an art expression has been democratized to a point never imagined even by George Eastman during his Kodak era. This small introduction of my modest thoughts regarding our « photo » world is only intended to promote and to maintain a share view for an open channel of communication between us.

December 18th, 2016

“Daniel Marchand has been passionate about photography ever since his aunt gave him a Kodak Brownie 620 box camera at age 11. His work spans photojournalism, studio, corporate, and sports photography with features in auto sports magazines such as Formula, Pole Position, and Le Monde de l’Auto. As someone who deems himself a photographic philosopher, his images evoke a storytelling approach and a focus on the context of life’s surroundings. Turn to his blog for extensive advice about camera equipment and topics like choosing a lens, planning a photo project, photography as personal expression in the digital age, and other thoughtful reflections. This Canadian photoblogger will impress you with a vast amount of technical knowledge as he explores the contemporary meaning of photography.”

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