danielm.photo.blog – Page 14 – L'instantané en recherche d'éternité / A trace of light that survive a little further than the actual moment of flash

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469 Posts

YEL-LO

YEL-LO

17 May 2022 — 0 Comments

Green-On-Top

Green-On-Top

15 May 2022 — 0 Comments

Affordable long range creativity with the Fujinon XC50-230mm F4.5-6.7 OIS II zoom lens.

Affordable long range creativity with the Fujinon XC50-230mm F4.5-6.7 OIS II zoom lens.

11 May 2022 — 0 Comments

A, B C(amera)!

A, B C(amera)!

4 May 2022 — 0 Comments

A Neutral Filter can be a See-through Permanent Protective Front Lens Cap!

A Neutral Filter can be a See-through Permanent Protective Front Lens Cap!

30 April 2022 — 0 Comments

Faces-O-Ton with the Fujinon XC50-230mm F4.5-6.7 OIS II

Faces-O-Ton with the Fujinon XC50-230mm F4.5-6.7 OIS II

24 April 2022 — 0 Comments

Stories behind the pictures

Stories behind the pictures

20 April 2022 — 0 Comments

Unexplored Perspectives (in photography)

Unexplored Perspectives (in photography)

16 April 2022 — 0 Comments

On Pause

On Pause

25 March 2022 — 0 Comments

The (photo gear) example not to follow … Well, not for all of us!

The (photo gear) example not to follow … Well, not for all of us!

16 March 2022 — 0 Comments

On the move : the nomad photographer

On the move : the nomad photographer

8 March 2022 — 0 Comments

Details…

Details…

3 March 2022 — 0 Comments

Micro Four Third??? Yes Sir!

Micro Four Third??? Yes Sir!

1 March 2022 — 0 Comments

Something has to be different!

Something has to be different!

22 February 2022 — 0 Comments

Our Arkitektural Frontiers.

Our Arkitektural Frontiers.

15 February 2022 — 0 Comments

Pourquoi ce blog-photo personnel si ce n’est que pour partager une passion profonde pour ce médium comme un instrument d’expression visuelle aussi intuitif qu’exigeant. Il y a un Art photographique, c’est vrai, mais il y a encore plus une urgence de montrer ne fut-ce qu’à soi-même son interprétation d’un monde en mouvance perpétuelle.

Et il y a aussi ce désir de s’imprégner de moments choisis du passé en devenir. ET au-delà de l’image reproduite et affichée, il y a enfin cette curiosité liée à la technique choisie et aux outils utilisés pour ce faire. Sans prétention ce blog est une invitation au partage d’idées et de réflexions sur la planète Photo.

1 mai 2020

Life is a world of differences, tastes, contexts and situations. And all these elements color our interpretation of our surrounding, our fellow people, subjects or objects. What is interesting in mind perception is to be able to diversify it by confronting a large spectrum of points of view. This is why I fully respect and explore the work of many reviewers over the web that can be perceived as part of the modern narrators of our era.

Today the speed of evolution has accelerated at a rate never seen before and we are now living in the instant past-present-future moment. We have adopted a planetary vision of our world and everybody is addressing everybody. And photography as a medium and an art expression has been democratized to a point never imagined even by George Eastman during his Kodak era. This small introduction of my modest thoughts regarding our « photo » world is only intended to promote and to maintain a share view for an open channel of communication between us.

December 18th, 2016

“Daniel Marchand has been passionate about photography ever since his aunt gave him a Kodak Brownie 620 box camera at age 11. His work spans photojournalism, studio, corporate, and sports photography with features in auto sports magazines such as Formula, Pole Position, and Le Monde de l’Auto. As someone who deems himself a photographic philosopher, his images evoke a storytelling approach and a focus on the context of life’s surroundings. Turn to his blog for extensive advice about camera equipment and topics like choosing a lens, planning a photo project, photography as personal expression in the digital age, and other thoughtful reflections. This Canadian photoblogger will impress you with a vast amount of technical knowledge as he explores the contemporary meaning of photography.”

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