Uncategorized – Page 3 – danielm.photo.blog

Category: Uncategorized

469 Posts

(Un) Paris à la fois: Visages du Louvre

(Un) Paris à la fois: Visages du Louvre

17 October 2025 — 0 Comments

Versailles: un pas à la fois!

Versailles: un pas à la fois!

16 October 2025 — 0 Comments

Visages de Paris

Visages de Paris

16 October 2025 — 0 Comments

(Un) Paris automnal: prémisses

(Un) Paris automnal: prémisses

14 October 2025 — 0 Comments

Floralies tardives

Floralies tardives

4 October 2025 — 0 Comments

Profondeur de champs (PDC)

Profondeur de champs (PDC)

10 September 2025 — 0 Comments

Réalité du terrain ou fantaisie virtuelle?

Réalité du terrain ou fantaisie virtuelle?

20 August 2025 — 0 Comments

Éclipse

Éclipse

11 August 2025 — 0 Comments

Une vision économique de la photographie

Une vision économique de la photographie

7 August 2025 — 0 Comments

Le Viltrox AF 85mm STM ED IF XF: L’optique discriminante de Viltrox.

Le Viltrox AF 85mm STM ED IF XF: L’optique discriminante de Viltrox.

24 July 2025 — 0 Comments

La gamme Viltrox: Sobriété abordable et compétence

La gamme Viltrox: Sobriété abordable et compétence

17 July 2025 — 0 Comments

Le Fujifilm X-S20: Modernisme sous une enveloppe spartiate.

Le Fujifilm X-S20: Modernisme sous une enveloppe spartiate.

15 July 2025 — 0 Comments

Le pouvoir de la photo

Le pouvoir de la photo

6 July 2025 — 0 Comments

L’avenir du contenu authentique en photographie

L’avenir du contenu authentique en photographie

21 June 2025 — 0 Comments

Flash Memories from an autosport photographer (1987-2001) with Daniel M

Flash Memories from an autosport photographer (1987-2001) with Daniel M

15 June 2025 — 0 Comments

Pourquoi ce blog-photo personnel si ce n’est que pour partager une passion profonde pour ce médium comme un instrument d’expression visuelle aussi intuitif qu’exigeant. Il y a un Art photographique, c’est vrai, mais il y a encore plus une urgence de montrer ne fut-ce qu’à soi-même son interprétation d’un monde en mouvance perpétuelle.

Et il y a aussi ce désir de s’imprégner de moments choisis du passé en devenir. ET au-delà de l’image reproduite et affichée, il y a enfin cette curiosité liée à la technique choisie et aux outils utilisés pour ce faire. Sans prétention ce blog est une invitation au partage d’idées et de réflexions sur la planète Photo.

1 mai 2020

Life is a world of differences, tastes, contexts and situations. And all these elements color our interpretation of our surrounding, our fellow people, subjects or objects. What is interesting in mind perception is to be able to diversify it by confronting a large spectrum of points of view. This is why I fully respect and explore the work of many reviewers over the web that can be perceived as part of the modern narrators of our era.

Today the speed of evolution has accelerated at a rate never seen before and we are now living in the instant past-present-future moment. We have adopted a planetary vision of our world and everybody is addressing everybody. And photography as a medium and an art expression has been democratized to a point never imagined even by George Eastman during his Kodak era. This small introduction of my modest thoughts regarding our « photo » world is only intended to promote and to maintain a share view for an open channel of communication between us.

December 18th, 2016

“Daniel Marchand has been passionate about photography ever since his aunt gave him a Kodak Brownie 620 box camera at age 11. His work spans photojournalism, studio, corporate, and sports photography with features in auto sports magazines such as Formula, Pole Position, and Le Monde de l’Auto. As someone who deems himself a photographic philosopher, his images evoke a storytelling approach and a focus on the context of life’s surroundings. Turn to his blog for extensive advice about camera equipment and topics like choosing a lens, planning a photo project, photography as personal expression in the digital age, and other thoughtful reflections. This Canadian photoblogger will impress you with a vast amount of technical knowledge as he explores the contemporary meaning of photography.”

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