danielm – Page 13 – danielm.photo.blog

Author: danielm

466 Posts

Forever Young! (the nostalgic era)

Forever Young! (the nostalgic era)

22 August 2022 — 0 Comments

The Panasonic Lumix G Vario 14-140mm F4-5.6 II: The easy MFT out-going optic.

The Panasonic Lumix G Vario 14-140mm F4-5.6 II: The easy MFT out-going optic.

15 August 2022 — 0 Comments

(Color) Violet Times

(Color) Violet Times

11 August 2022 — 0 Comments

Ormstown in black

Ormstown in black

20 July 2022 — 0 Comments

Summer audimat temporary drop or the inevitable fall of the blog audience?

Summer audimat temporary drop or the inevitable fall of the blog audience?

13 July 2022 — 0 Comments

Why absolutely spectacular?

Why absolutely spectacular?

27 June 2022 — 0 Comments

The start of a (photo-grafik) conversation … between us!

The start of a (photo-grafik) conversation … between us!

21 June 2022 — 0 Comments

RED-FLAG!

RED-FLAG!

17 June 2022 — 0 Comments

The good “kompromises” or how to be clever not follower!

The good “kompromises” or how to be clever not follower!

15 June 2022 — 0 Comments

Release the pressure!

Release the pressure!

7 June 2022 — 0 Comments

My best journalistic picture may be my first one!

My best journalistic picture may be my first one!

1 June 2022 — 0 Comments

Eight Miles High, 56 years later…

Eight Miles High, 56 years later…

18 May 2022 — 0 Comments

YEL-LO

YEL-LO

17 May 2022 — 0 Comments

Green-On-Top

Green-On-Top

15 May 2022 — 0 Comments

Affordable long range creativity with the Fujinon XC50-230mm F4.5-6.7 OIS II zoom lens.

Affordable long range creativity with the Fujinon XC50-230mm F4.5-6.7 OIS II zoom lens.

11 May 2022 — 0 Comments

Pourquoi ce blog-photo personnel si ce n’est que pour partager une passion profonde pour ce médium comme un instrument d’expression visuelle aussi intuitif qu’exigeant. Il y a un Art photographique, c’est vrai, mais il y a encore plus une urgence de montrer ne fut-ce qu’à soi-même son interprétation d’un monde en mouvance perpétuelle.

Et il y a aussi ce désir de s’imprégner de moments choisis du passé en devenir. ET au-delà de l’image reproduite et affichée, il y a enfin cette curiosité liée à la technique choisie et aux outils utilisés pour ce faire. Sans prétention ce blog est une invitation au partage d’idées et de réflexions sur la planète Photo.

1 mai 2020

Life is a world of differences, tastes, contexts and situations. And all these elements color our interpretation of our surrounding, our fellow people, subjects or objects. What is interesting in mind perception is to be able to diversify it by confronting a large spectrum of points of view. This is why I fully respect and explore the work of many reviewers over the web that can be perceived as part of the modern narrators of our era.

Today the speed of evolution has accelerated at a rate never seen before and we are now living in the instant past-present-future moment. We have adopted a planetary vision of our world and everybody is addressing everybody. And photography as a medium and an art expression has been democratized to a point never imagined even by George Eastman during his Kodak era. This small introduction of my modest thoughts regarding our « photo » world is only intended to promote and to maintain a share view for an open channel of communication between us.

December 18th, 2016

“Daniel Marchand has been passionate about photography ever since his aunt gave him a Kodak Brownie 620 box camera at age 11. His work spans photojournalism, studio, corporate, and sports photography with features in auto sports magazines such as Formula, Pole Position, and Le Monde de l’Auto. As someone who deems himself a photographic philosopher, his images evoke a storytelling approach and a focus on the context of life’s surroundings. Turn to his blog for extensive advice about camera equipment and topics like choosing a lens, planning a photo project, photography as personal expression in the digital age, and other thoughtful reflections. This Canadian photoblogger will impress you with a vast amount of technical knowledge as he explores the contemporary meaning of photography.”

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