(Lastly edited May 8, 2017) (First parution November 15, 2016)
Back in 2012, Olympus has announced and preview its first OM-D a sort of digital emulation of the classical SLR film camera series originally named OM. Apart the general aspect and dimension of the E-M5 model presented it was a complete new design very different from the other digital M4/3 Olympus line, the PEN series. Since the beginning of digital cameras as the new photographic mass media Olympus has been innovative and very productive of different concepts and model series. The Camedia and E-X series can be rightfully reckoned as one of the most serious effort to produce very effective photographic digital tools.
The first OM-D E-M5 declination has been a true success story among photographers and reviewers that simply salute Olympus with a very strong endorsement of the product. Furthermore the E-M5 has been also one of the first M4/3 format model really used on a professional base around the world although it was remaining more an exception and a curiosity. Olympus eventually have responded by offering a new OM-D E-M1 for a more specific pro use.
In 2015 Olympus issued the second version of the E-M5 tagged Mark II with is an upgraded product in many ways (with the exception of its menu interface presentation…!).
Rotative LCD Screen (versus Tilt-able original version): A video reminiscence imported to OM-D
The LCD screen of the EM5 Mark II is a beauty to use ether as a live “full” scale viewfinder or as a reviewing tool. As a live viewfinder (LVF) it is a better choice for evaluate exposure and color rendition of the picture. If the situation allow you to do so the LVF will be a very productive option. I am not a big fan of LVF at the beginning but more and more especially with the “mobile” device event the photographer … and the subjects are getting used to it and felt more comfortable now than by holding the camera the traditional way.
Electronic Viewfinder (EVF): Shut down (or rotate back) that LCD screen!
The Olympus OM-D E-M5 Mark II is doted of a very fine Electronic ViewFinder (EVF). Fine details can be easily observed and all the infos are present (but without the automatic vertical rotation feature for the infos). Manual focusing can be done accurately through the EVF with the loupe option and dont prevent yourself to do it.
In strong lightning context the EVF may seem to be more contrasty than for low light subject. This caracteristic has been addressed from the early EVF and tend to be corrected gradually but there is still place for improvement. As for the delay between the image seen on EVF vs real-time situation. For action photography I will suggest you to stay and rely on EVF in preventing misinterpretation of the “pic” of the image or subject action.
The presence of the LVF (LCD screen viewfinder) couple with the automatic switch over option between EVF and LVF can be annoying for people who mainly EVF users. By entirely rotating back the LCD screen you will facilite the exclusive EVF use with a better battery life (at the expensive of the fast access to the LCD screen I must add…).
One of the most noticeable difference between the original E-M5 and the new E-M5 Mark II version are the dimension and the nature of the direct control dial that are now bigger and offer better adherence. Adding the optional grip will give you the same arrangement for front handling but in vertical holding you will recover the “old” dial design which is a disappointment in my sens even if the original controls stay efficient in every way.
The Olympus OM-D E-M5 Mark II is a small ILC compact camera and because of that all fonction buttons and dial are accordingly cramped for this type of device. You may accidentally change setting and falsely working with a non voluntary configuration. So the best way to counteract these effects is to verify time to time all the basic information showed on the viewfinder EVF or LVF.
New “more” grip ( More proimenent front hand grip for secure and confortable handling and appreciable vertical shooting ability)
The Olympus HLD-8 grip &battery holder combination is an upgrade version of the previous HLD-6 model offered for the original E-M5. Dimensions and control dial of the grip by itself (HLD-8G) have been revised ans a earphone plug for monitoring the recorded sound has been added. Using the HLD-8 with or without the additional battery had a lot of confort to the handling of the E-M5 Mark II.
In using the complete grip kit you can alternate a two batteries turn around (with one battery always full load in camera) without removing the unit .
Vertical shooting is more secure and easier. Weight and di
mension distribution between camera and lenses are better served when you are working with bigger lenses such as the “Pro” series. If you anticipate doing action or outdoor photography the extra battery autonomy will be an appreciated advantage. And it stays a relatively compact package compare to the similar D-SLR combos. Finally having an additional power unit with the extra battery can be a precious help for intensive shooting sessions.
Lot of Personnalisation … if you remember their functionalities…!
Since the event of the first OM-D (E-M5 original version), Olympus has always offer to the user extended possibilities of camera personnalisation. Again with the E-M5 Mark II there is a lot of different setting available though the various dials and push (function) buttons present on the camera. For sure you will have to memorize all these personal setting but that can be a real advantage to fine-tune a product configured for “your” specific needs. It add speed and convenience for those who are willing to invest on learning the system.
Mini Flash (less bits and parts, marginally better height, orientable bounce and side-tilt options)
Many photo enthusiasm over the years are knowing already that Olympus has been a pioneer of TTL flash metering since the seventies especially with the original OM-2 24X36mm film camera model. Commun sense dictate the manufacturer to offer a very sophisticated dedicated flash system starting with the mini unit FL-LM3 which is part of the accessories included in the box and that can act as a master unit for controlling multi-flash (from Olympus) arrangement.
The diminutive FL-LM3 unit can be consider as a good fill-in flash option for on the spot situations. Thanks to Olympus to have simplify the attachement of the flash to a single flash hot shoe port (no more multi-fonction bottom port) since I am not a big fan of potentially losing parts to protect these ports. The addition of the bounce and side-tilt head orientation option is another good value but you have to kept in mind the limited power of the unit. As a master remote flash indirect lightning is a welcome feature.
Olympus pro photographers on assignation like wedding, journalism even sport are considering the flash option as a obligatory feature to compensate deficient or uneven lightning over the subject. Olympus has just release (October 2016) a new FL-900R powerful unit addressing that demand.
|Vintage Flash unit arrangement using PC sync cord and camera sync port.
PC Sync Port (“The” studio vintage feature!)
A PC outlet has been added to the Olympus OM-D E-M5 Mark II. It is a past feature seen in most ancient film and traditional SLR and other camera models. For studio or flash work the use of a PC (trigger) sync outlet is inducing that you accept to use flash devices and camera/lens combination over their manual setting without relying on the automated TTL functionalities present into the E-M5 Mark II. In my sens it stays a curiosity more than a practical advantage. Yes you can still do flash photography by using a flash meter for balancing your light units but more and more professionals will prefer to rely on interface setting devices or by using the in-board camera fonctionalities.
|Extensive but complex menu settings are an Olympus trademark.
Olympus Interface Presentation or “Learn your lessons!”
What can I add to the many “pro” reviewers that have already point out so many times for almost every new Olympus models that their interface presentation is hard to comprehend and assimilated. The E-M5 Mark II is not a different beast and will ask you to get use to the many aspects of the extended menu options. A quick menu option available by pressing the OK button is may be the best way to access to the fondamental parameters of the camera.
Lens combinations: Prime’s vs Pro Zoom Optic Battle: Small & Discrete Size vs Focal Versatility
By nature there is always the question of the lens choice when you decide to work with ILC (Interchangeable Lens Camera). In general the Olympus prime (fixed focal length ) lenses will give the best optical quality result. Furthermore the fixed focal lens are faster (larger maximum aperture) less bigger and heavier than the zoom lenses. For better results when you are selecting zoom lenses Olympus offer you their “Pro” line but with the expense of a more modest maximum aperture, larger dimensions, more weight and for…more $$$! These Pro lenses will appeal to photographers that are working on assignations, in rapid action photographic situations including intensive studio shooting and specific outdoor subjects. If you like to contextual photography you may prefer the prime lenses selection.
Same not the same 16MP Image Captor
Every manufacturer has its distinctive image “signature” that will translate with an overall specific color reddition, contrast, accentuation and exposure distribution identity. Yes you can alter in many ways the original bias of the camera that will invalid the first setting but it remains sometimes a very tedious exercice for non initiate peop
le like many actual camera users. The Olympus color palette is very distinctive with slight blue tonal (or cold color temperature) color imagery representation.
|Zig Zag Over Dome (Olympus OM-D E-M5 Mark II)
Olympus B&W own interpretation
It is now a standard feature over the mirrorless camera offer to get easy access to a monochrome B&W option along with the different color palette interpretations. For those who have first learned photography by using B&W material or simply by consulting the classic B&W works of earlier photographers it always a pleasure to be able to produce monochrome imagery right from the camera and because of the EVF feature you can get the final result right from the start on screen. Another interesting direct functionality is the possibility to adjust the High and Shadow Light curves on the spot although it has certain limitations compare to post processing treatment. With strong lightning I will usually cut down the exposure by 1 to 2 EV factor (stop) to privilege the highlight detail over the shadow area. For sure it is up to each photographer to find its own setting bias.
|Apple Eye taken with Olympus OM-D E-M5 Mark II / M.Zuiko 12-40mm F2.8
Dont prevent yourself to do extensive cropping of your original picture if the camera image sensor can maintain an acceptable photographic quality. And dont forget that it is the nature of the human sight (i.e. eye view) to select portion area of the total pano view to be able to register a partial composition of the entire picture. You can assume that the Olympus OM-D E-M5 II will deliver you pleasant result even with a pronounced crop.
|OM-D E-M5 Mark II compact outfit configuration recall
the original OM series of the film era
A discrete and versatile camera
The Olympus OM-D E-M5 Mark II is a discrete compact ILC camera with its small size and smoothness of operation. Its All-Weather construction allow you to use it with more confidence in many various situations with moderely adverse conditions but dont forget to select a lens model that have the same feature. Furthermore it is common knowledge that some professional photographers are choosing the mirrorless cameras for different manners such as the overall size of the system, or the lens selection, the interface, the video possibilities, etc. The “Pro” involvement of these manufacturers like Olympus, Panasonic, Fujifilm and Sony is just proving the serious of them.
|The Olympus OM-D E-M5 Mark II is a very modular camera with grip and power options.
The shutter release of the Olympus OM-D E-M5 Mark II is exceptionally smooth. It is always a great pleasure to do photography with such discretion and elegance. The environnemental sealing of the camera body is another serious advantage for all condition utility of the OM-D E-M5 Mark II. I also salute the modularity of the model with or without the HLD grip combo option which is transforming the E-M5 II into a small “E-M1” of its own. Flash system is well deserved with the in-house TTL system and none-wired external flash units control via the FL-LM3 mounted unit.
The Olympus OM-D E-M5 Mark II is not cheap as for many Olympus products. If you are intend to keep the camera model for a short period of time you will lose a significant amount of money but on a long run (3 years +) it wort the expense. Otherwise you can wait to end-of-life deal like it has been observed in the case of the original version of the E-M5. For a professional use, you may also consider the new OM-D E-M1 Mark II option but keep in mind that it will required a significant larger budget.
If you intend to do street photography the Olympus OM-D E-M5 Mark II alone coupled with one small prime lens will give you a very “petite” camera. In action photography the camera will behave on the average level asking from you a good preparation and a sense of anticipation. In that field (Action) it is more a pro-active than a reactive camera like the big D-SLRs.
|Out-In Light (OM-D E-M5 Mark II / M. 45mm F/1.8)
About the Future of M4/3
At first you have to consider that the primary 4/3 digital format has been set in 2006 as new standard endorsed by various major photographic compagnies such as Kodak, Fujifilm , Leica among others. Two years later the original format has been evolve into the new Micro 4/3 especially designed for more compact mirrorless camera. In the battle to survive into the classical photo market the M4/3 format has been mainly supported by the combine effort of Olympus and Panasonic production. For Panasonic their strong video knowledge has been successfully incorporated into their flagship GH4/5 models that have been adopted by many. Olympus really intend to design cameras firstly for their still photography capabilities. Both Olympus and Panasonic have developed a very fine line of interchangeable lenses in a smaller package compared to the Canon and Nikon bigger production for example. In this small mirrorless world with Fujifilm (and Canon) APS-C format and Sony so-called “full” format (ancient 24X36mm mini film size) the long term future viability of these alternatives stays on balance.
For sure the user loyalty may be part of the answer but more than that the dedication of the camera manufacturers can make the final outcome. And Olympus even considering their recent internal difficulties never really downplay their contribution. As a fan, a user and an appreciator of their line of products (both cameras and lenses) I hope they will successfully maintain their dedication for the M4/3 format for a long time.
Final Note: Since the venue of the E-M5 Mark II Olympus had also upgraded their E-M1 (Mark II) & E-M10 (Mark II) models and extended their lens offer by adding short, long and Pro lens models.
|iPhoto Manon Paquette