The perfect wide angle of view: Zuiko M.12mm F2 & M.12-50mm F3.5-6.3

We ca argue again and again on what is the perfect “wide” angle of view but many of us will agree that 12mm (24mm equivalent in 35mm film format) is one of the most appealing focal length to work with.

Zuiko M.12mm F2.0
Zuiko M.12-50mm F3.5-6.3

These two fine Olympus Zuiko Lenses are very good choice to start experimenting the 12mm focal length .

The12mm is certainly an true urban lens that allows photograph to be close from his subject. It is also a real contextual lens in term of the extra angle of view available. It may be the widest lens that you can easily apprehend the final result without doing testing during your photo shot.

With such a wide angle we are able to control the impact of your foreground and background subjects by creating a more dynamic composition. The notion of space arrangement is giving a true 3D perspective to the observer.

Because wide angle lenses are “decompressing” the final image using them is demanding a more careful attention to its composition. It also add some kind of disproportion of near subject opposed to far context. That could be use as a creative tool.

Wide angle lens are by essence very close action lenses compared to their telephoto brothers. But it doesn’t prevent to do action imagery if you are able to position yourself to do so.

Although many people are recommending wide  angle lenses for architectural work the use of the M.12mm may be tricky considering the fact that this model of lens doesn’t have any provision for tilt and shift correction. Yes it can be use successfully to exaggerate perspective for instance but it cannot pretend to present objectively to work of the designer.

Playing (i.e. working) with the M.12mm is very interesting because it will ask the photograph to learn to anticipate a different perspective and the results will represent a different view of our surrounding world.

Returning to the OM-D E-M5

Never say never again because you… never know! Going back in using my OM-D E-M5 had just proven this fact of life. Experience is in many ways better than profound reflexion.


The Olympus OM-D E-M5 is a very spontaneous camera. Just working around with it and you will find a lot of photographic opportunities. And it is also a creative camera that let you try, make and sometimes succeed in photo and may be in video project.

And The E-M5 is not an intimidating medium comparing with the other D-SLRs. It has the size of the old classic 35mm reflex camera (none motorized). In brief I love the OM-D system including the beautiful lenses.

With the return of the cooler and rainier days of the next autumn it stays my best choice.